Browse archive

March 2004

Home / 2004 / March  Page 2

Latest Posts

Unified Theory of Getness: Part 2

Over at Roslyn Oxley Gallery we went to see the Tracey Emin show and we were curious, especially after all the nasty things we said about her. We had never actually seen anything by her in the flesh (so to

Read More
Unified Theory of Getness: Part 3

As we traveled down to Artspace, we considered the fact that Tracey Emin is obvious. She makes obvious statements and we like that because why waste a lot of time trying to figure something out? We could just as easily

It’s Archibald Time Of Year Again and Again and Again…

It’s that time of year again with the return of the Archibald Prize for Portraiture for 2004 and another raft of stories about artists getting their entries in on time. But if you’re an artist and you’re entering a painting

Junk Modern Mish Mash Horror

Is it “junk”, “modern mish-mash” and “the product of a sick mind” or an astutely curated collection that snared many works by the now famous artists Patricia Piccinini, Tracey Moffatt, Howard Arkley and Bill Henson? So began Lauren Martin’s story

Addendum, Erratum Etc #2

We slighted the talent of Lord Andrew Lloyd Webber a couple of weeks ago and now we’re paying the price. As has been pointed out to us by A Reader, Chess had its lyrics written by Lloyd Webber associate Tim

Herald Sets Agenda, Loses Mind

You may recall last week’s discussion on The Art Life about the story of John Opit and his claims of owning a hitherto unknown painting by Paul Cezanne which he additionally claimed was worth $50 million and that it had

What They Really Think of Us

Beating up on curators is like being a school bully. They are the weakest members of the art world with few friends, lots of enemies and hardly anyone who really understands what they do. The Art Life, as a rule,

Crocodiles In The Antarctic

John Opit owned $67 million worth of art that he kept in his studio in the town of Limpinwood, 80 kilometers from Murwillimbah. He had a painting by Paul Cezanne, called Paul Cezanne’s Son in A High Chair. He also

Rock and Roll Could Never Hip Hop Like This

We want to put this on the record – we have nothing but warm and friendly feelings towards Mary Lou Pavlovic, her gallery and her attempts to promote artists and pundits like rock stars. Her tour of Matthew Collings was