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It’s with great sadness that I note the passing of a good friend, Virginia Wilson.
“Often fragile and beautiful with an old world aesthetic that bewitches the observer, Apeseven’s play on life and death is recognisable with his works having a comprehensive visual presence…”
“The work […] expresses something deep and fundamental about the essential isolation of human existence.”
An air of cynicism permeates everything …
“You can’t swipe left on a painting.”
“This body of work was made while traveling overseas, time felt like it was condensing, becoming arbitrary, barely a function to signal the difference between night and day, I had a feeling of being displaced, not knowing languages, unfamiliar locations, people…”
The famous koan, ‘one hand clapping’, says the Guggenheim, is a metaphor for how meaning is destabilised in a globalised world.
Public art ‘…uncomfortably presents us with our own specific place, our own subject position relative to other, often competing positions within the public space it inhabits.’
Bad news… it’s the year 3018
On June 24 this year New York-based Australian artist, Sara Morawetz embarked on a 2000 kilometre walk through France and Spain for a performance titled étalon…