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The Dead Zone

What is that is so intoxicating about the image of the deserted city?

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Interlace My Shoes

A Biennale parallel event on until July 3rd is the show on at Performance Space called Interlace featuring installations by man-of-the-moment Shaun Gladwell, Emil Goh and Kate Murphy. Curated by Blair French, the show is also part of the gallery’s

Balls

Balls

Art Life , Reviews May 27, 2004

Across the yard at SCA there’s a show on in two rooms by a bloke named Fassih Keiso. In Room One was a bunch of stuff – some photographs of Arabic children with Arabic text, a series of framed Arabic

V for Vendetta

V for Vendetta

Reviews Apr 28, 2004

Don’t ask the woman on the desk at the Australian Centre for Photography any questions. Don’t ask her, for instance, how the UNSW College of Fine Arts has become involved in the exhibition of Franco Zecchin, or in fact, what

“A no-smoking sign on your cigarette break…”

Speaking of Sam Smith, as we were, we have to say that we admire his gumption. He wrote to us an invited us down to Room 35, the hire space gallery at Gitte Weise Gallery, to see his show Set

The Shadows Grow Darker, the Sun More Sad

It’s getting to be that time again in Sydney when summer fades into autumn and the shadows are darker, the sun light in the afternoon more yellow and, no matter how much coffee and cake we consume, we can’t shake

Transmission: Nam June Paik

The Sydney Festival isn’t much of a visual arts event. Consisting of little more than a handful of exhibitions at galleries that would have held them anyway, without an overall curator or a single catalogue, the visual arts program is

Big Bucks and That’s Official

You may not have noticed, but new media art is now collectible. That’s the word from Australian Art Collector magazine who devoted a recent article to the phenomenon and interviewed collectors who are willing to plonk down anywhere from $300