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It’s that time of year again when Sydney goes Head On for the annual festival of Australian and international photography…

Olive Cotton died in 2003 but lived long enough to be both surprised and delighted at the rekindled interest in her work.

Anna Carey’s work recalls nostalgic moments and simple times. But wait – something isn’t quite right.

Michael Johnson’s paintings from the 60s and 70s are experiments with forms and colour relationships where he’s drawn from what he describes as a “mathematical energy”.

When he was young, Rob McHaffie used to entertain himself drawing “creepy characters with huge noses and hairy legs”.

Drawing on imagery she sources from luxury super yacht branding, Marilyn Schneider explores the subtle language used by corporations to lure people to their clubs.

The Last Supper is made in the wake of Ken + Julia Yonetani’s continuing practice that considers the impact of humans on the environment…

The bush and coastal landscapes surrounding his home in the small town of Cooma in south-eastern NSW provide Michael Taylor with ample material for these expressionist-style oil paintings…