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Not only relevant, but probably as important as ever…

Challenging the idea that the frame of an artwork is neither a non-work nor mere ornament, a number of works in Belem Lett’s Tunnel Vision incorporate the frame within the picture.

Each project is a self-contained circuit, making manifest Nicholas Mangan’s interest in mined resources, energetic currents and the ‘physical transformation of a given material to produce energy and therefore effect social change’

As an intervention in the gallery space, Interest Free is critical of the architecture of the art world…

Durational work often has strict rules, boundaries and projected outcomes, but for Body it seems to be a gentler proposition.



