Latest Posts
The mysteriously-monikered MMacNeill discovers a delightful exhibition of sculptural miniatures that imply much bigger things…
Senior Melbourne social affairs editor Din Heagney explains that there are few places more remote than the Tiwi Islands for a transgender woman to cut loose in the 21st century..
Please welcome the debut of The Art Life’s newest contributor Isobel Philip who takes up the role of Sydney Editor-at-Large as she reports on the spookiness of Polixeni Papapetrou’s recent show…
Whoa man – the universe is big – really big! Andrew Frost has a meltdown…
Carrie Miller finds queasy memories in the paintings of Robert MacPherson…
In Yamaguchi Akira’s drawing, the present has almost reached its crisis point writes Andrew Frost.
Wendy Meares discovers that in McLean Edwards’ work there is much more than meets the eye…
The Art Life’s senior Melbourne correspondent Din Heagney takes a bold step in to the unknown…
In her debut column as The Art Life’s lead art critic Wendy Meares visits Gallery Barry Keldoulis’s gallery and Sally Breen’s Breenspace gallery…
Russian art group AES+F’s The Feast of Trimalchio is one of the Biennale of Sydney 2010 most talked-about pieces. Michael Hutak gets to grips with its seductive surfaces and grim reflections of the real world…