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Syd Ball’s shapes are worked up from thumbnail sketches using the theories of Euclidian geometry but it doesn’t take a mathematician to note his strong reliance on the triangle
Reminders of death’s inevitability and the fleeting nature of human life were prevalent in the vanitas paintings of the Renaissance.
Working for nearly four and half decades American artist Chuck Close has dedicated himself to portraiture.
Ormandy’s work evokes a flatland universe of interacting modules, tiny hermetic places unaware of our observation, and at the large scale of the artist’s biggest canvases, a window to another exotic place.
Now!
Sanpitak’s work has explored the human body in all manner of ways, while centring itself on the female form.
Martin’s project doesn’t see so much at odds with those Romantic painters either, not only because the word ‘sublime’ is deployed in the gallery press release…
In motion…
Human presence in these paintings is only evident at the periphery.
All work and no play makes the artist something something…