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Sydney teenager, 1971…

Challenging the idea that the frame of an artwork is neither a non-work nor mere ornament, a number of works in Belem Lett’s Tunnel Vision incorporate the frame within the picture.

Each project is a self-contained circuit, making manifest Nicholas Mangan’s interest in mined resources, energetic currents and the ‘physical transformation of a given material to produce energy and therefore effect social change’

As an intervention in the gallery space, Interest Free is critical of the architecture of the art world…



