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Entropy always wins.
From Sharne Wolff… America: Painting a Nation is “the most expansive survey of American painting ever presented in Australia” with around 80 works spanning the years 1750 to 1966. While a show with a big sweep like this always has
A lion, from Zion.
Two of Firstdraft’s latest group of new shows are linked by ideas around the materialisation of belief, superstition and popular culture.
Jenny Sages employs a subtle earthy palette and draws the viewer close with delicate detailed lines, squiggles and dots that could simultaneously mean anything and nothing.
Working on the floor, and eschewing anything as mundane as a brush, Syd Ball could explore the thrust and splatter of thrown and poured colours over his canvases using paint with various degrees of transparency.
Somewhere in the middle…
What say you, good sir or madam, for a Shaun Gladwell work?
The exhibition reveals an aesthetic of surveillance that’s as familiar as everyday life.
The innocence of these times is reflected in Michael Philp’s minimal palette and naïve style…