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In this ‘exhibition without a theme’ it’s over to you, the audience, to discover the common thread.
Robots hidden behind a wall at Artspace are equipped with tools and will used to punch their way out.
The contemporary art world has enough prizes for artists who don’t win them to be resentful for a lifetime.
The ‘exploration of man-made structures, usually abandoned ruins or not usually seen components of the man-made environment’…
Locust Jones’s new works represent an important development, still committed to grappling with the immediate political and cultural depicted with ntensity and confusion.
You certainly can’t pin Peter Alwast down to any particular medium or style.
Shane Cotton is best known for combining traditional Maori iconography with European symbols, suggestive both of his own bicultural identity and as a way of thinking through questions of colonialism that are at the heart of New Zealand’s identity and culture
Jessica Bradford’s discovery of old family photographs sold at markets and in second hand stores led to a fascination with translating these lost images into another medium
Walk into Agatha Gothe-Snape’s latest show and you’ll be confronted by a pair of seemingly irreconcilable objects…
The artists in Debil Debil take their cues from the way Tracey Moffatt’s film beDevil conjures imaginative places beyond the bounds of our knowable world.