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This time the starting point for the artists in the show is an engagement with the body – a somewhat creepy idea given the state of it in this exhibition.
de Jong’s paintings are the embodiment of a contemporary ‘slow’ art.
The work is a visual interpretation of life-threatening kidney disease.
They weren’t, of course, discouraged from consorting with each other…
Old world with a twist.
The ideal exhibition for anyone wanting to get an overview of the latest in contemporary photography…
Crash Nation has the sort of work that visually assaults you like a piece of debris flying around during a cyclone.
Rumbling fireplaces…
Unlike the last Biennale in 2010, themes chosen at each venue are coherent, if not a little overworked…
Does it work? Is it a meaningful experience as promised, or is it just conceptual basket weaving?