Latest Posts
Situated somewhere between the line and the land, Kovacs has developed a gestural visual language drawn from abstraction’s Indigenous and non-Indigenous ties. Ildiko Kovacs: Down the Line utilises the entire regional gallery for a dazzling survey of key works produced over a three-decade period.
Awfully Wonderful: Science Fiction in Contemporary Art explores a spectrum of seductive, terrifying and fantastic potential futures. The exhibition presents new and existing work by eleven Australian artists including time machines, handmade robots, meteorological instruments, interplanetary communication devices, a mars
Yours to own, a piece of space technology, slightly worn, many miles on the clock…
Shundaba continues David Capra’s investigation into what is deemed ‘prophetic art’; work inspired by divine encounters and ecstatic notions that surpass the rational.
Susannah Williams has transformed SLOT with sensitivity and an obsessively meticulous practice.
Benjamin West and “The Venetian Secret”: Art and fraud in late Eighteenth-century London
You are invited to a preview screening of Precarious.
Tom Polo | Hit & Miss
Taking its name from both the rapidly flickering light of cinematic imagery and the ultra violet light of the sun (and its consequent physicality on objects and bodies), VIOLENT LIGHT continues my use of sunlight to make images on paper.
Incision: An exhibition of photography, drawing, and sculpture by Sean Batchelor, Del Lumanta, Isobel Parker Philip and Daryl Prondoso that dissects both the cut and that which it exposes.