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Following on from her exhibition preview Isobel Johnston returns with this report on the Biennale, for real… This year’s Biennale of Sydney is a demonstrably rigorous curated exhibition involving 180 artists over several physical locations and online. Not that didacticism

Cloud Canyons is probably one of David Medalla’s most well known works, a seminal piece in kinetic sculpture…

Too much history? Not enough? Rory Dufficy contemplates the inclusion – and exclusion – of particular historical works in this year’s Biennale of Sydney… The much criticized decision by Biennale curator Carolyn Christov-Bakargiev to include works from the backrooms of

The Art Life‘s special on The Biennale of Sydney goes to air on ABC1 on Tuesday July 22 at 10pm. We feature a number of interviews but due to the constraints of the documentary’s 27 minute duration those conversations have

From Ian Houston… Adrian Piper, Black Box/ White Box The idea of the political in art is at once inevitable and tedious. The risk of proselytizing, the banal, the tautological and the difficulties of a cynical audience familiar with many

In the interests of the dignifying debate on art and censorship, The Art Life today has taken the bold step of publishing on its blog a photo of a ball of dividing cells from the moment a zygote implanted itself

Bruce Conner, Mongoloid, from The Truth About De-Evolution, 1977. Bruce Conner, one of the most influential found footage film collage artists, has died aged 74. From The San Francisco Chronicle: “Despite an enviably long record of gallery and museum exhibitions,

Just when you thought it was all over, Art Monthly puts out a theme issue on art and censorship and uses an image of a naked 6 year old girl by Polixeni Papapetrou on its cover… In the latest row