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Human-centric scales of space and time do not equip us to think about the lifespan of Earth and other celestial bodies, but when we try to think in geological or astronomical time, we are always translating from a human standpoint.
If chutzpah were a drug, then artist Tom Mason would be as high as kite.
The exhibition presents art that proposes an aesthetic question – how do we regard these works, and to what extent is the artist’s intervention with the materials shape our perceptions?
Just what is it about the concept of the sublime that has made such a forceful comeback in recent years?
I do not want to predict the future. I want to prevent it.