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Messager’s kinetic installation Casino takes centre stage at the museum.
For her exhibition Useless Gestures, Sarah Mosca has created another kind of transformation…
A visual representation of the invisible realm…
Making a mockery of international politics.
Typical outcomes, n’est-ce pas?
Let’s not bother who will win, or who has won, but simply ask – what’s good?
He seems to have finally broken free.
Hard edge, unit pattern, colour field, flat abstraction, conceptual and minimal…
For artists who paint in a realist style, there’s nowhere to hide.
The scientist in her laboratory relies on the reputability of procedure and technique. The artist in her studio does the same.