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Of all the natural formations of the landscape few are as psychologically rich as the cave.
Driving on the freeways that skirt Sydney on the way to the Blue Mountains is the imposing structure known as the Light Horse Interchange.
Anna Carey’s work recalls nostalgic moments and simple times. But wait – something isn’t quite right.
Michael Johnson’s paintings from the 60s and 70s are experiments with forms and colour relationships where he’s drawn from what he describes as a “mathematical energy”.
The sense of dislocation one feels when looking at Linda Marrinon’s work is profound.
Looking back, it was an impressive line up to start the gallery.
When he was young, Rob McHaffie used to entertain himself drawing “creepy characters with huge noses and hairy legs”.
Drawing on imagery she sources from luxury super yacht branding, Marilyn Schneider explores the subtle language used by corporations to lure people to their clubs.
The sleep of reason…
The Last Supper is made in the wake of Ken + Julia Yonetani’s continuing practice that considers the impact of humans on the environment…