Latest Posts
Useless becomes useful.
John Kelly surveys the wash up of the Australia exhibition and finds, contrary to critical and popular opinion, the show is an unfortunately accurate history of Australian art…
Luise Guest visits White Rabbit and discovers how guest curator Edmund Capon has arranged the collection…
Joel Rea describes himself as a Contemporary Surrealist Painter, but his work is also a twist on the aesthetics of the sublime in 18th century Romantic art.
Midway upon the journey of our life. I found myself within a forest dark, For the straightforward pathway had been lost…
Sharne Wolff plucks up her courage and offers a review of QAG/GOMA’s My Country: I Still Call Australia Home: Contemporary Art from Black Australia…
Departure, displacement, dislocation, diaspora: all of these disquieting states are evident in ‘Made in China, Australia’, writes Luise Guest
Mutu’s art “marries poetic symbolism with sociopolitical critique to explore issues of gender, race, war, colonialism, and, particularly, the exoticization of the black female body…”
Todd Macmillan‘s work has long quoted Romantic painters and poets, but how does that actually work in the context of video and photography? And what does McMillan himself bring to the mix? Isobel Philip has an idea…
Isobel Philip takes in The Big Picture at Stills and finds magic in the pulsating lights…