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An art school lecturer once remarked to me that the problem with sculpture is that it takes up a lot of room.

The Hungry Ghost is a ghost-like wraith that are typically depicted with spindly limbs and grotesque, distended bellies.

One never quite experiences the siren song of the art life quite so poignantly than in the work of Bernard Ollis.

The Australian cliché is its beach culture, the one things most tourists know about the place and the site of a contest between values of inclusion and exclusion.
