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The most successful works in BOS18 at the MCA are those where the artist has taken a traditional technique and reinvigorated it in a contemporary context.

While Cockatoo Island provides an incredible location for a Biennale audience it simultaneously poses a delight and a curse for curators and artists.

The themes of identity and place are so well-worn in contemporary art that they have generally worn-out their welcome, but in this exhibition they are dealt with in honest and refreshing ways.

For Australian children in the 60s ‘Thalidomide’ was an evil word used by adults in whispers behind closed doors.