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Branislav Kropilak, Garage Series. Kropilak.com Got new work you’d like to share? Send images and description of your work to thearlife at hot mail dot com. Images should no larger than 350k each
Kazuki Takamatsu, Our Best Place, 2008. Acrylic on canvas, 586x320mm Kazuki Takamatsu, Target, 2008. Acrylic on canvas, 420x420mm Kazuki Takamatsu, Go to nest!!, 2008. Acrylic on canvas, 586x320mm Kazuki Takamatsu, Meal time, 2008. Acrylic on canvas, 420x420mm Distantfeerism: Kazuki Takamatsu
Greetings, Oh how I find it difficult to talk about my work! Let me see… I usually work in ink and pastel; this allows me to compose my pictures very quickly. Indeed, I seldom spend more than an evening on
Until the Kingdom Comes, by Simen Johan Got new work you’d like to share? Send images and description of your work to thearlife at hot mail dot com. Images should no larger than 350k each
Justin Cooper, Fear and Same Sex Love, 2009. “Today, we appear to fear just about everything. One reason why we fear so much is because life is dominated by competing groups of fear entrepreneurs who promote their cause, stake their
“The Hosts: A Masquerade Of Improvising Automatons extends Wade Marynowsky’s development of custom-built robotics and interactive, performative media. In this installation, Marynowsky explores roboticist Masahiro Mori’s theory outlined in The Uncanny Valley (1970), which suggests that in designing humanoid robots
Paula Garrard, Reverberate 1 & 2 (detail), Installation view. Oil on canvas, 130 x 160cm. “We are exposed to so many colours through the mass media bombardment of visual imagery and advertising that the connection between seeing and experience is
Strasser & Lysssiotis, A Long Road, 2009. lithograph and acrylic on Arches paper 94 x 119cm, edition of 5 “An artists’ book, paintings and works on paper, collaboratively produced by Theo Strasser and Peter Lyssiotis, present a reflection of political
Jaye Early, Having A Bad Day, 2009. “Primarily my work is autobiographical: Whether navigating hesitant paths of fragility and fear associated in the psychological surrender present in various sexual/private/ public contracts, or the anxieties surrounding unwavering experiences of lonesomeness, and
Hobart Hughes, Bunny man angers deer 1. “I have always been interested in forms of consciousness, how they can be triggered and how they rupture or rapture. A lot of the early film work was the vision that a consciousness