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New Work Friday #222

Metropolis Experiment is Clement’s third recent body of work which responds to the vivid prognostications of JG Ballard’s 1962 post-apocalyptic sci-fi novel, The Drowned World.

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New Work Friday #221

  “My sculptural abstractions investigate the vicissitude of landscape. Etched marks and cast forms, renegotiate terrain. Fluid, yet unrestrained gestures explore earthly forms and spiritual longing. Observations, consider not only physical topography. The significance of psychological and emotional connection to

New Work Friday #220

“Together they turn the gallery into a ‘Loading Bay’ of science fiction’s past; the jumping off point for a generation of science fiction obsessed kids.”

New Work Friday #219

My art practice is a symbolic and figurative exploration of the female subject. Allusions to literature, art history and mythology punctuate my paintings and sculpture. My work tips into memoir and flirts with fiction.

New Work Friday #218

“I have an ongoing fascination with the outsider position, where many of us unintentionally find ourselves. For an immigrant culture such as Australia’s, there is an implicit sense of liminality that derives from not only the unknown future but also the uncertain past.”

New Work Friday #217

“One is reminded of reliquaries; not that her objects are containers for holy relics, but that they suggest some deeper purpose, some other function that belies their simple beauty.”

New Work Friday #216

From Cath Grant.

New Work Friday #215

Within the realm of a dying sun…

New Work Friday #214

“Sam Holt’s painting has developed an intensity and muscularity beyond the pared back gestural minimalist approach of former works. The palette has shifted from the pink, blue, green spectrum to a reduced, more neutral, not-­quite monochrome range of blacks, white, grey, sand and silver.”

New Work Friday #213

In both intent and purpose, presence is deeply rooted in this very arrival.