Latest Posts
Crash Nation has the sort of work that visually assaults you like a piece of debris flying around during a cyclone.
Rumbling fireplaces…
Unlike the last Biennale in 2010, themes chosen at each venue are coherent, if not a little overworked…
Luise Guest considers presence and abscence in Gao Ping’s latest exhibition…
Does it work? Is it a meaningful experience as promised, or is it just conceptual basket weaving?
The most successful works in BOS18 at the MCA are those where the artist has taken a traditional technique and reinvigorated it in a contemporary context.
While Cockatoo Island provides an incredible location for a Biennale audience it simultaneously poses a delight and a curse for curators and artists.
Cow up a tree…
This historic recording documents an extremely rare and classic performance of a mysterious collaborative tour from two of the most creative and fascinating figures in rock.
The themes of identity and place are so well-worn in contemporary art that they have generally worn-out their welcome, but in this exhibition they are dealt with in honest and refreshing ways.