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In the middle of the room sit two glass vitrines filled with what would, in the vernacular of most families, be called pictures.
It’s that time of year again when Sydney goes Head On for the annual festival of Australian and international photography…
With the deft addition of a few lines, the artist creates figures, heads and bodies reminiscent of the Venus of Willendorf, a fox-woman in repose, or a sock-headed creature with ice zombie eyes.
Olive Cotton died in 2003 but lived long enough to be both surprised and delighted at the rekindled interest in her work.
What is nature for?
Of all the natural formations of the landscape few are as psychologically rich as the cave.
Driving on the freeways that skirt Sydney on the way to the Blue Mountains is the imposing structure known as the Light Horse Interchange.
Anna Carey’s work recalls nostalgic moments and simple times. But wait – something isn’t quite right.
Michael Johnson’s paintings from the 60s and 70s are experiments with forms and colour relationships where he’s drawn from what he describes as a “mathematical energy”.
The sense of dislocation one feels when looking at Linda Marrinon’s work is profound.