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The contemporary art world has enough prizes for artists who don’t win them to be resentful for a lifetime.
Michael Fried in person.
The ‘exploration of man-made structures, usually abandoned ruins or not usually seen components of the man-made environment’…
Locust Jones’s new works represent an important development, still committed to grappling with the immediate political and cultural depicted with ntensity and confusion.
You certainly can’t pin Peter Alwast down to any particular medium or style.
Shane Cotton is best known for combining traditional Maori iconography with European symbols, suggestive both of his own bicultural identity and as a way of thinking through questions of colonialism that are at the heart of New Zealand’s identity and culture
I am interested in untethering notions of landscape from being Earthbound.
“My name, should you know it remains unspeakable and is spoken — malediction.”
Isobel Johnston makes a welcome return to The Art Life with an account of the patterns, repetitions and colours of Polarity…
Jessica Bradford’s discovery of old family photographs sold at markets and in second hand stores led to a fascination with translating these lost images into another medium