Latest Posts
Sign o’ the devil? Maybe, reports John Kelly from The Göteborg International Biennale of Contemporary Art…
Invited to assess the 2010 Biennale of Sydney for a forum at the UNSW College of Fine Art, Andrew Frost found it harder to make up his mind than he had thought…
Whoa man – the universe is big – really big! Andrew Frost has a meltdown…
Carrie Miller finds queasy memories in the paintings of Robert MacPherson…
In Yamaguchi Akira’s drawing, the present has almost reached its crisis point writes Andrew Frost.
How does one begin to decide whether massive, curated exhibitions like the Biennale of Sydney are successful? Step one – stop being so literal minded, argues Andrew Frost.
Cockatoo was established in 1839 as a prison in Sydney Harbour for convicts who’d been transported from England but were too wicked to ever give up their criminal ways. Things have not really changed…
Russian art group AES+F’s The Feast of Trimalchio is one of the Biennale of Sydney 2010 most talked-about pieces. Michael Hutak gets to grips with its seductive surfaces and grim reflections of the real world…
Have you seen the cars? Hanging from the ceiling? What did you think? Not much, says Carrie Miller…
Andrew Frost discovers a cache of paintings at the Museum of Contemporary Art – and a few of them aren’t too bad…