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Pan Demon i UM

Sign o’ the devil? Maybe, reports John Kelly from The Göteborg International Biennale of Contemporary Art…

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Biennale of Sydney: more popular than ever

Invited to assess the 2010 Biennale of Sydney for a forum at the UNSW College of Fine Art, Andrew Frost found it harder to make up his mind than he had thought…

BOS2010: Peter Hennessey

Whoa man – the universe is big – really big! Andrew Frost has a meltdown…

BOS2010: Robert MacPherson

Carrie Miller finds queasy memories in the paintings of Robert MacPherson…

BOS2010: Yamaguchi Akira

In Yamaguchi Akira’s drawing, the present has almost reached its crisis point writes Andrew Frost.

BOS2010: Themes and Damned Themes

How does one begin to decide whether massive, curated exhibitions like the Biennale of Sydney are successful? Step one – stop being so literal minded, argues Andrew Frost.

BOS2010: Greetings from the island

Cockatoo was established in 1839 as a prison in Sydney Harbour for convicts who’d been transported from England but were too wicked to ever give up their criminal ways. Things have not really changed…

BOS2010: AES+F

Russian art group AES+F’s The Feast of Trimalchio is one of the Biennale of Sydney 2010 most talked-about pieces. Michael Hutak gets to grips with its seductive surfaces and grim reflections of the real world…

BOS2010: Cao Guo-Qiang

Have you seen the cars? Hanging from the ceiling? What did you think? Not much, says Carrie Miller…

BOS2010: Penny Siopis

Andrew Frost discovers a cache of paintings at the Museum of Contemporary Art – and a few of them aren’t too bad…