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Sign o’ the devil? Maybe, reports John Kelly from The Göteborg International Biennale of Contemporary Art…

Invited to assess the 2010 Biennale of Sydney for a forum at the UNSW College of Fine Art, Andrew Frost found it harder to make up his mind than he had thought…

How does one begin to decide whether massive, curated exhibitions like the Biennale of Sydney are successful? Step one – stop being so literal minded, argues Andrew Frost.

Cockatoo was established in 1839 as a prison in Sydney Harbour for convicts who’d been transported from England but were too wicked to ever give up their criminal ways. Things have not really changed…