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A cut and paste approach to subject matter is observed, images are appropriated and recontextualised from a vast array of pop cultural sources, the underlying narrative is left intentionally hazy if not slightly absurd and surreal
Please welcome Sharne Wolf joining TEAM Art Life as our Senior Brisbane [and all points north] correspondent. For her debut she takes a gander at Natalya Hughes latest show Totem Totem…
Isobel Philip visited Gallery 9 to catch Julian Hooper’s Golden Solvent – and discovered that it’s all about the art of the reveal…
Ian Shadwell continues his stroll down through Martin Place and into the precincts around Australia Square – the wealth of first rate art prompts our flâneur to exclaim “Thank you, Mr. Seidler!”
Ian Shadwell continues his walking tour of hidden art – and confesses a weakness for large scale abstract paintings…
The works take simple human movements, such as shooting a basketball, skateboarding, swinging a golf club, and break down the movements as one would for animation, but instead condense the ‘frames’ onto on image.
At the Institute of Modern Art, a new show by Scott Redford and Michael Zavros attempts to fool the foolish – or so claims Andrew Frost.
Over the last decade or so I’ve been experimenting with this take on abstraction; with the main creative decisions being made over a hot photocopier and in the drawings themselves.
Carrie Miller finds queasy memories in the paintings of Robert MacPherson…
Wendy Meares discovers that in McLean Edwards’ work there is much more than meets the eye…