Latest Posts
Senior Melbourne social affairs editor Din Heagney explains that there are few places more remote than the Tiwi Islands for a transgender woman to cut loose in the 21st century..
Please welcome the debut of The Art Life’s newest contributor Isobel Philip who takes up the role of Sydney Editor-at-Large as she reports on the spookiness of Polixeni Papapetrou’s recent show…
Cherish explores the potential for simple decorative consumer objects to act as powerful metaphors for thoughts and emotional states…
At the Institute of Modern Art, a new show by Scott Redford and Michael Zavros attempts to fool the foolish – or so claims Andrew Frost.
The Art Life’s senior Melbourne correspondent Din Heagney takes a bold step in to the unknown…
“Two young wanderers in full head-dress carve their way, phaneric and conspicuous against an Eden-like landscape. The ambiguity of their sex- the play on masculine and feminine, hard and soft, human and environs – suggests a moment of transience.”
The Art Life’s senior social affairs editor Carrie Miller discovers that there is one last frontier to be exploited by artists seeking sensational content for their art – and it isn’t pretty.
Matt Logue is a Los Angeles based artist, photographer and animator. After working for the Tippett Studio – and spending three years in New Zealand on the Lord of The Rings trilogy – he returned to the US to pursue
The Power Series, Part One. “These are the first images in a series exploring energy production in Scotland and industrial landscapes that are concerned primarily with structure and process. However these images are also a visual exploration of these spaces:
From Ian Houston Shadwell… Justine Varga‘s first exhibition, 2005’s Placements featured surreal photographic vignettes created from pieces of string, toy animals and other odds and ends. The resulting images were exquisite, delicate, beautiful landscapes of an inner world that referenced