Over the last decade, as high end video art edged ever closer to cinema, the demarcation of what constituted a “film” and a “work of art” became harder to discern
If you go along to the White Rabbit Gallery expecting Chinese contemporary art to consist of Pop-inspired Mao imagery or Cultural Revolution horror, you are in for quite a surprise…
It seems rather apt somehow that an exhibition concerned with ideas of permanence and belonging should be forced to juggle its display areas just prior to opening day.