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How does it work? Each artist’s work at the Museum of Contemporary Art‘s Primavera exhibition is accompanied by an audio file [MP3 format] containing a commentary. Click on the highlighted link and you will see a download page appear in
Yukultji Napangati, Untitled, 2005. Acrylic on canvas, 107 x 91 cm.Courtesy of Papunya Tula Artists and Utopia Art Sydney. © The artist, licensed by the Aboriginal Artists Agency 2005. Listen to the commentary: Some Thoughts On Abstraction
Tom Mùller, Globalisation, 2004. Projection dimensions variable. Courtesy of the artist and Galerie Düsseldorf, Perth. © The artist. Listen to the commentary: Some Additional Biographical Notes Recorded On Location
Michelle Ussher, Campsite Day 2, 2005. Watercolour on paper, 12.5 x 16.5 cm. Courtesy and © the artist. Listen to the commentary: Shallow Graves
Pedro Wonaeamirri, Pwoja Pukamani Body Paint Design 2004. Natural ochres on linen, 193.5 x 115.5 cm. Private collection, Melbourne. © The artist Listen to the commentary: Ca vous chante?
Jemima Wyman, Scapeology (Open Cut Mine), 2005. Enamel on canvas, 180 x 320 cm. Courtesy the artist and Bellas Milani Gallery, Brisbane. © The artist Listen to the commentary: Freak Out/In
Madeleine Kelly, Coalface, 2004. Oil on canvas, 131.5 x 185.5 cm. Collection Churchie Anglican Grammar School, Brisbane. © The artist Listen to the commentary: Dangerous to Man?
Monika Behrens, Commonwealth of Turdralia, 2005, oil on canvas, 152 x 182 cm. Courtesy and © the artist.Listen to the Monika Behrens commentary: Born To Run.
Danie Mellor, Moving Out, Moving On (detail), 2004. Underglazed slip-cast earthenware, 12 parts, overall dimensions variable. Courtesy and © the artist. Photograph: Stuart Hay Listen to the commentary: The Sad Story of Buttons
Fiona Lowry …there shall be two men left in the field; one will be taken and one will be left. Two women will be grinding at the mill; one will be taken and one will be left Matthew 24:40-41, 2004.