Latest Posts
Wendy Meares writes on her trip to Canberra, the National Portrait Gallery and the Gladwell installation at the War Memorial…
Proliferation fills the gallery space with hundreds of feathers so the room appears to be bursting at the seams as hidden stuffing spews forth, feathers trail down the walls and explode out of the cracks between floorboards…
Martin Creed talks stairs and chairs | Did Plastic Bertrand really sing Ça Plane Pour Moi? | Ansel Adams ‘lost’ negs may be a sham | David Walsh: “I don’t give a sh_t”…
Ms&Mr recast the celluloid bodies of Richard’s infant self and his deceased grandfather; found suspended in the moratorium of the family archive. | A collection of live performance video projections, multiplied into a distorted archive. Sense is derived through devolution in a media echo chamber with artifice layered upon artifice.
Invited to speak at the Australian Art Industry symposium at Melbourne University, Andrew Frost reflected on a year’s worth of judging art prizes…
‘Inflammable’ means flammable? What a country.
Please welcome Sharne Wolf joining TEAM Art Life as our Senior Brisbane [and all points north] correspondent. For her debut she takes a gander at Natalya Hughes latest show Totem Totem…
Isobel Philip visited Gallery 9 to catch Julian Hooper’s Golden Solvent – and discovered that it’s all about the art of the reveal…
Carrie Miller wonders if the downside of art philanthropy is really worth it…
Westie street signs and tea towels reign in Jon Campbell’s new commission for the 2010 Melbourne Art Fair, writes Din Heagney…