Latest Posts
Williams’s landscape of exotic pop – Iwanczak’s exploration of the artist’s book medium.
Louise Bourgeois, 1911-2010
Exploring the performance territory between dance, the everyday and dramatic body.
Things that were said in 140 characters [or less].
How does one begin to decide whether massive, curated exhibitions like the Biennale of Sydney are successful? Step one – stop being so literal minded, argues Andrew Frost.
Artist performer Steve Walsh got himself into a world of hurt when he took a photo of a microwave oven at this local servo. Carrie Miller reports.
“My work stems from an intense fear of life or reality. The exaggerated, slightly tormenting characters I create are both a reflection of this fear and a means of gaining control of it. The creatures exist in a paranoid half-reality
The Art Life’s editor Andrew Frost was invited to take part in a PechaKucha nite hosted by Super Deluxe at Artspace. With a brief that stated “talk about anything you like” Frost spoke on the work of author Philip K. Dick and the recurring themes that spread from his novels, into Hollywood movies, and then into mainstream culture…
The Art Life’s senior Melbourne correspondent Din Heagney takes a bold step in to the unknown…