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Protest at the opening ceremony of the Beijing 798 Biennale “The inaugural Beijing 798 Biennale, held in the sprawling 798 art district in China’s capital, saw a chaotic opening on 15 August, with major works by Chinese artists widely censored
Hany Armanious, Sphinx 2, 2009. “By 1992, Egypt-born Australian artist Hany Armanious had exhibited his work in five solo independent or commercial gallery and two influential institutional exhibitions —the 1991 Australian Perspecta and the 1992-93 Biennale of Sydney: The Boundary
Nina Power: One of the most important media for the Autonomia was radio. The obvious contemporary comparison is the Internet; it offers the possibility of putting out material quickly, and of constructing para- or non-academic discussions, as you did with
Nina Power:?One of the most important media for the Autonomia was radio. The obvious contemporary comparison is the Internet; it offers the possibility of putting out material quickly, and of constructing para- or non-academic discussions, as you did with Semiotext(e)
The two paintings entitled “Farmstead” (left) and “Farm Buildings On The River” by Adolf Hitler. “Three signed watercolours by Adolf Hitler are to be sold at auction next month in Nuremberg in southern Germany, scene of the Nazi war crimes
“A collection of Frida Kahlo oil paintings, diaries and archival material that is the subject of a book to be published by Princeton Architectural Press on 1 November has been denounced by scholars as a cache of fakes. Finding Frida
Justin Cooper, Fear and Same Sex Love, 2009. “Today, we appear to fear just about everything. One reason why we fear so much is because life is dominated by competing groups of fear entrepreneurs who promote their cause, stake their
Last week’s post It Don’t Add Up was a contribution from a reader, an actual doctor in an actual university who knows about such things. The reader’s point was simple – the formula for the creation art didn’t quite mean
“The Hosts: A Masquerade Of Improvising Automatons extends Wade Marynowsky’s development of custom-built robotics and interactive, performative media. In this installation, Marynowsky explores roboticist Masahiro Mori’s theory outlined in The Uncanny Valley (1970), which suggests that in designing humanoid robots
“Except for Ken Yonetani’s Sweet Barrier Reef, a rather dull comment on the effects of consumerism on nature, the Australian off-site project Once Removed curated by Felicity Fenner offers a refreshing insight into the predicament of displacement. Undoubtedly part of