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Baroque excess like a Habsburg wedding cake.
The longer you look at art the less certain it appears to be.
When in Rome.
The whole dog and pony show.
My practice explores definitions of cultural identity, focusing on childhood memory and domestic narratives to access esoteric social histories within an urban Australian environment.
No permission given or implied.
While it’s also a matter for serious thought, there’s always some fun in attempting to work out the connections between curator and established artist…
Too big to fail.
It’s a small world after all.
White punks on dope.