Latest Posts
Robert Hollingworth wonders whether new shows by Philip Hunter and Tina Douglas might suggest a new way of considering the art object…
Dreams that follow after the passing of our mortality…
With the increasing “professionalisation” of the art world as thousands of artists stage hundreds of exhibitions around the country, Robert Hollingworth wonders if there’s an alternative to the gloss and pop of the contemporary group show. He takes a drive to Benalla…
Adam Lee’s work draws from a wide range of sources, including historical photography, Biblical narratives, natural history and contemporary music, literature and film to investigate aspects of the human condition in relation to ideas of the spiritual and the natural world.
Izumi Kato’s works are characterised by rugged wood carvings and colorations that depict coexistance of mankind and plants with sepia brustrokes.
Sharne Wolff discovers that in James Cousin’s painting process is just as important as outcome…
Sharne Wolff reviews the work of Dennis Nona, contemporary Torres Strait Islander artist…
Something is about to happen – potential is immanent. These new paintings by Marisa Purcell present conditions that are all pervasive – atmospheric, changeable images that aren’t always noticed – and they are about to emerge.
As the flood waters begin to recede into memory, business resumes at Brisbane’s commercial galleries, writes Sharne Wolff
Doug Bartlett has never been seen in the flesh, although a new show of his work has opened at the Gold Coast’s newest gallery, reports Sharne Wolff…