Latest Posts
Whoa man – the universe is big – really big! Andrew Frost has a meltdown…
In her debut column as The Art Life’s lead art critic Wendy Meares visits Gallery Barry Keldoulis’s gallery and Sally Breen’s Breenspace gallery…
Have you seen the cars? Hanging from the ceiling? What did you think? Not much, says Carrie Miller…
Our Melbourne Affairs Editor Din Heagney reckons Linden is one of the few decent inner southside galleries left in Melbourne these days. Inside he finds a range of astro-turf delights…
This series of thirteen hand sewn pennants metaphorically represent the artist’s aspiration for a material recognition of their work.
Louise Morrison and Matt Dickmann, Mr Ernest J. Langridge’s Resignation, 2009. Found objects and painted steel. Mr Ernest J. Langridge’s Resignation, detail. “Mr Ernest J. Langridge’s Resignation is one of the artworks in the Show Character exhibition held at the
Jonathan Monk, Deflated Sculpture no. I, 2009. Stainless steel. 104.1cm(H) x 68.6cm(L) x 45.7cm(W). Casey Kaplan Gallery
From John Kelly… Entering the TARDIS – an acronym for Time And Relative Dimension(s) In Space , I go walkabout within the monolith that contains The Meaning of Life. I race across time eating Mad Max’s dust as he tears
From Carrie Miller… Pinning down the meaning of Stuart Bailey’s recent video performance is like trying to feed an oyster into a parking meter. That’s probably to be expected in a work like Desert Mouth which depicts the artist wandering
Eden plays with the creation and destruction of natural elements by technology. The images are created using antiquated scanning technology which can only capture the image in multiple successive attempts. The central image of the Eden flowers remain constant, whilst