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A collaborative duo working across Canberra and Sydney.
Having recently moved to Singapore this exhibition is very much about new beginnings, entry points, being an outsider – standing back, observing.
While in Iceland I really started to explore liminal spaces, and in A place prepared for sleep this manifests in drawing out and making visible the space between sound, air and the ground.
Lucas Davidson’s exhibition “limbo” explores the intermediate space between photography and video.
The 21st century has emerged as a century of enhanced globalisation, forced a reorganisation of new economic models of ruthlessly competitive production and witnessed the establishment of a plethora of media platforms.
On the Edinburgh Gardens plinth a suggestively human proportioned mound is mutating over a period of five months as it is implicated in countless unforeseeable forces.
I am interested in untethering notions of landscape from being Earthbound.
In this fictional collision of past and present, which also includes a representation of Caravaggio himself, alongside Bottaro’s Sicilian grandfather peeling a prickly pear (the cactus fruit which is riddled throughout Sicily) and the artist riding into the composition on the back of a motorbike…
“My aim is to attempt to unpack the complexities of creation, destruction, memory, fate, inevitability, layers of meaning and layers of materials, all before breakfast..
Germany is a place that has a strange relationship with landscape and light – the further north you go, the more grim and oppressive; the further south, more liberated, sunny and and joyful.