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Imagine the scene if you can. You’re at the Art Gallery of NSW, or the Museum of Contemporary Art, or perhaps at the “National” Gallery of Victoria, for an opening party. It’s the standard fair: art world people, drinks, canapés,

Greetings from the sunshine state. The first thing you see out the window of the aircraft as it descends into Brisbane are mud flats. This isn’t meant to be symbolic, it’s just the way it is. In a similar fashion

Sydney-based artist Sam Leach has curated Extropians, a new show at Sullivan & Strumpf Fine Art. The exhibitions brings together a group of artists whose work suggests ambiguous science fictional narratives. Leach spoke to the Art Life about the ideas

The Art Life: You must be very pleased to have won the inaugural B.E.S.T. Contemporary Art Prize For Painting? Were you nervous on the night? Tom Polo: It was a complete shock! I was not expecting it at all –

Sylvania Waters is one of those select few television programs that became a bona fide cultural phenomenon. It had an impact more significant than anything that can be simply conferred via hype, clever advertising or sensational content. It is well

From Isobel Johnston… ‘Open narrative’ is a phrase used by Nana Ohnesorge to describe her desire for her audiences to make their own interpretation of her works. I had asked if the small boy in 18th century costume was wearing

After kicking off the 2008 exhibition year at Artspace, Lily Hibberd‘s Bordertown installation recently opened at Melbourne’s Conical Inc where it will be on show until March 29. The Art Life spoke with Hibberd in Melbourne. Lily Hibberd, Bordertown, 2008.Installation
